Rethinking the Beaver

Has there ever been a more misunderstood national symbol? Has there ever been a more important time for the beaver to flourish? Canadian Geographic, Dec. 2012.

IMGP3502

(© Frances Backhouse)

 

“At the turn of the 19th century, many people thought Canada’s national animal was a goner — a doomed species that had passed the point of no return. One notable pessimist was Horace T. Martin, a Canadian Fellow of the Zoological Society of London and author of Castorologia or the History and Traditions of the Canadian Beaver. ‘As to the ultimate destruction of the beaver, no possible question can exist,’ declared Martin in 1892, noting that ‘the evidences of approaching extermination can be seen only too plainly in the miles of territory exhibiting the decayed stump, the broken dam and deserted lodge.’ One hundred and twenty years later, on a warm June evening, I sit on the shore of a massive beaver pond in Algonquin Provincial Park, watching water bugs etch ephemeral lines on the glassy surface.”

Read full article »

Italy in the Fiery Footsteps of a Medieval Countess

A walk through history on the Sentiero Matilde. Georgia Straight, Nov. 1, 2007.

“The gossip about Matilde beats anything I’ve ever seen on the cover of a celebrity magazine. They say this red-haired countess was the Pope’s lover, and a warrior who led her own army into battle; that she had her first husband murdered by an assassin who thrust a sword up the poor fellow’s backside as he squatted to relieve himself; and that when she remarried at 43 for political reasons, she refused to sleep with her 16-year-old husband, a timid youth known as ‘the penguin’. Never mind that she’s been dead for nearly 900 years. If you want to explore the Apennines  in northern Italy’s province of Reggio Emilia, you won’t find a more intriguing guide than Matilde of Canossa (1046 to 1115).”

Read the full article >>

Ponte della Maddelena, thought to have been commissioned by Countess Matilde di Canossa.

The Ponte della Maddelena, thought to have been commissioned by Matilde of Canossa (© Frances Backhouse).